Archive for the ‘Spec-Fic’ Category
Wednesday, January 20th, 2010
I was once at a party where I had a conversation with a woman artist about Robert A. Heinlein. When I told her that he was my favorite writer, she told me I was an idiot and that Heinlein was a fascist woman hater. This is an attitude that I have come across from time to time, especially from women. It could not be further from the truth, and I don’t know how this has happened. I have read everything that Heinlein has written at least four times and one or two of his books as many as 20 times. He is not a woman hater. He is not a fascist. To me his an intelligent and reasonable observer.
At the The Lensman’s Children blog, Sarah Hoyt has an article defending Robert A. Heinlein. She discusses Heinlein’s problems with women and how they are dead wrong. It does my heart good to read something like this.
Here’s a sample:
But I was raised by Heinlein through his books, and I hope at least the spirit and the intention of the search for truth and individual freedom remains in my work. As well as the certainty that it’s always easier to be a live lion than a live lamb or a dead lion.
Posted in SF, Science Fiction, Spec-Fic | 2 Comments »
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Saturday, November 21st, 2009
There was a discussion about the realness of SF over at one of the Nanowrimo forums. It seems that they read my “Laws Science Fiction” page and I was trashed – the page and me personally.
Also – I wouldn’t worry too much about that website. Personally, I think their “laws” are a load of crap, and that anyone who talks about “laws of writing” in that way should probably go take a hike. :-p
And another:
That website is crappy. Just reading the laws show their ignorance of Science Fiction. I doubt they’ve ever read Asimov.
My own personal opinions are stated clearly in the list of laws, so you might be able to guess what I think about the kind of writing that these people produce.
I imagine that I have sold more stories than everyone on that thread combined. In my brief stint as an editor, I had to read a lot of the stories that these people obviously prefer, and my eyes still hurt when I think about it.
via How real does Sci-Fi have to be? | National Novel Writing Month.
Update:
one commentor said:
The web site referenced has some good points to make, but it takes some uncomfortable hard lines on some things.
The author then goes on to describe how his or her novel is about an alien that (in my view) is really a human in a rubber suit. If you want to write about humans. Using SF to hide your true intentions seems like laziness to me. I guess some people find it easier to cast a story in a an sf setting so they will not have to do the hard work of character development and creating believable conflicts and plots.
There was only one criticism to my list of rules that I could buy into. Writing SF is fun so writing a story that breaks all the rules, but is fun to write and read is the only excuse for not following the rules.
This give me the AHA moment and I will add a disclaimer at the end.
Posted in SF, Science Fiction, Spec-Fic | No Comments »
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Monday, October 12th, 2009
Fred Pohl linked back to the post on the Science Fiction League. This was nice of him and so far I have seen a dozen hits. I hope y’all come back now.
The project wonderful ads have started generating a (very) little income, but I am pleased with the ads. Currently they are for a fairly unique site that lets you continue a shared story by writing posts. I think I’ll even click on it and lurk. It does look like fun.
I know that four or five SF writers and editors have had reservations about advertising on their blogs and zine sites because the ads are out of their control. Specifically the keyword Fantasy often gets some weird ads, as you can imagine. With the project wonderful website you approve the ads before they appear on your site. The downside is that the income is pretty low for small sites. Higer volume sites (over 1,000 hits a day) can make more.
I have started advertising my Name a Star site using project wonderful and I am getting a few click-throughs. The price is quite a bit lower than adwords and I can pick and choose the sites where I want the ads to appear. If you need to advertise a site, on a budget, then project wonderful is perfect. There are numerous gaming and spec-fic sites to choose from (J. Erwine and Ephemeris, please note!)
Posted in Blogging, Science Fiction, Spec-Fic, free quality traffic seo hits, search engine marketing, www | No Comments »
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Thursday, August 20th, 2009
I received 13 critiques from critters.org of my short story “The Perfect Gold”. I used this story as a barometer of how the critiques might help me because it was one of the first stories I wrote after a 35 year hiatus. I wrote it early in 2003 and it appeared online in Atsoise (now defunct) in February of 2004. It had 5 rejections before it was accepted and I believe that this is because of my ignorance of how editors expected a story to be written.
I made lots of mistakes in “The Perfect Gold”. I was trying to write in a fairly remote omniscient viewpoint, which is an older style and not acceptable today. Currently, editors want a tight personal viewpoint, almost first person (but they don’t like first person). Another mistake was that I had a break in the middle of the story where the main character leaves the scene to get something, but it chops off the flow until the character returns. In another break I spend some time describing the background and history of one of the characters, almost as though it were a footnote, and this disrupts the narrative. I had lots of trouble with the language. My words flow a little smoother now, but I remember at the time that I was concerned that the sentences seemed like lines from a technical manual with lots of “she did this” and “then he did this”. This computer programmer approach to narrative has been somewhat abated, but I still tend to write in syllogisms.
The critiques I received were of different kinds. One had an attached word document that cannot be opened due to viruses. Four were people who told me that they really enjoyed the story and went on to tell me their favorite parts (useless other than for moral building). Three people hated the story or thought it was boring. It seems that I wrote a “mood” piece. The people that did not like the story wanted less emotion and more blood and guts. The story has an emotional impact, but it is not an O Henry type story with a twist or revelation at the end (I wanted to write a story like “The Dead” by Joyce).
About three quarters of the critiques had valid remarks. They found numerous typos that I did not see. They complained about the narrative breaks that interrupted the flow. Many complained about my short choppy declarative sentences. I am almost tempted to rewrite the story, give it different title and try to resell it as new. I’ve done this with other stories, but right now I have new ideas, and I have dozens of stories that I have yet to write before I rehash older stuff.
The critters experience has been a good one overall. When I first started writing, I would not have found it useful because I would have disagreed with some of the conclusions. My attitude today is that most editors have had their souls corrupted by the Clarion brainwashing and there is nothing I can do about it. The Clarion workshops have created a static standard that renders classic short stories by Bradbury, Clarke, and Heinlein as “bad”. If I am to publish stories, they must fit into the little box created by advocates of Clarion and the Turkey City Lexicon.
Now that I have been through the critters process, I will be leaving the group. I was going to put my stories “Carnivale of Blood”, “Nigerian Soul”, and “The Reefs of Jupiter” through the process, but it takes too long for too little. In order to get a critique you have to submit 10 critiques, which I find stressful, and then wait 45 days. I’d have to wait four and a half months to get a three stories critiqued, and I usually write one or two stories each month.
I was thinking about hijacking the process in order to speed things up by using four or five different emails and writing a critique a week for all of them, but this would be too much like work. I am far from the right person to criticize a story (pot calling kettle…). I didn’t like most of the stories that I critiqued so it was hard being diplomatic.
I will have to prevail on family and friends to edit my stories. I just don’t see my typos, grammar and syntax mistakes. This would have been a good use for critters, but I don’t have the patience.
Posted in SF, Science Fiction, Short Stories, Spec-Fic, submissions | 3 Comments »
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Friday, January 23rd, 2009
I’ve spent the last two weeks tramping through Middle Earth. (Listening to mp3s on Justine’s iPhone.) Gollum just fell into the crack of doom and I’ve had it with Hobbits for another year. I have read or listened to LOTR probably over 100 times. There was a time, 20 years ago, that I know I passed the 50 count just on reading. At that time I obtained the tapes and listened two or three times a year as I commuted to work. I since found the audio in MP3 format.
I can get back to reading, again. I have rediscovered the simple pleasures of reading since I started taking the bus in the morning. My six months’ bus anniversary came and passed without celebration (I was still bummed about Christmas.)
Monday I start reading Black Glass, by John Shirley. This is billed as Shirley’s Lost Cyberpunk Novel. I like Shirley’s Science Fiction and I am a Cyberpunk kind of guy. Last Year I read Shirley’s Demons, and a couple of months ago I read an old copy of City Come a Walking by Shirley, and I thought it was excellent. I should reread his Eclipse books, since it has been a few years. I went through the link above and got a signed copy of Black Glass at the regular price, although I was raped on shipping. Media mail should have been about $1.50 not $6.50.
Posted in SF, Science Fiction, Spec-Fic | 1 Comment »
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Wednesday, December 31st, 2008
 I have received disparaging words from an unnamed sister-in-law about book reviews on my blog, so this will be brief.
I have always been a fan of Greg Bear, in spite of his novels being too long. The Infinity Concerto; not so much. I prefer hard science and I believe that Bear writes hard science fiction better than fantasy.
The basic story of the Infinity Concerto is that a boy enters the world of Fairy based loosely on Celtic mythology. Bear tries his best to create hard rules, but in a magical world that is difficult. I amused myself by deciding that the third law of thermodynamics didn’t hold in the land of the Sidhe, and then stopped thinking about science.
In a world where nothing is impossible, nothing is very interesting. I felt that Bear continually fabricated a new solution out of thin air whenever the protagonist got in trouble.
The book was well written with good characters and some interesting ideas, but was not my cup of SF. I am, however, reading the sequel, The Magic Serpent. There are entirely too many words where nothing much happens, but I want to find out how the plots all come together. I’ll have a review of The Magic Serpent by early next week. I may move these book reviews to another blog to satisfy in-laws only interested in cat pictures.
I am still on the "B" author row of my collection of unread books. The holidays have cut into my reading time. I am spending all of my spare moments on programming projects. I expect to have my iPhone app done any day now.
Posted in SF, Science Fiction, Spec-Fic | 1 Comment »
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Saturday, December 27th, 2008
 I am saddened to learn that Edd Cartier, one of the great artists of the Golden Age of Science Fiction, passed away on Christmas Day.
I met Edd quite by accident when he and his son were having a garage sale. I was lucky enough to buy some of his work and get it signed and personalized. I have since exchanged email with his sons a few times.
After I met the great man I began seeking out and collecting his art work. I have a shelf of old magazines and illustrated books with Edd’s fantastic drawings.
The photo is Edd Cartier the day I discovered him.
I hate this whole grow old and die thing. It does not seem right that the world should lose a talent like Edd Cartier. He lived a long and rich life, but still, the world is a poorer place without him.
Posted in SF, Spec-Fic, artwork | No Comments »
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Monday, December 15th, 2008
 I bought this dog-eared book at a garage sale a few weeks ago for a dollar. Lord Dunsany is a unique writer. If you read the book Stardust by Neil Gaiman (or even saw the hacked movie version), you would get an idea of what a Dunsany book is about. My edition of The Charwoman’s Shadow was published in 1926. Dunsany was already popular then, because of The King of Elfland’s Daughter, considered his masterpiece (and nearly the same story as Gaimon’s Stardust).
In the 1920s, Branch’s Jurgen in the US, and Eddison’s adult fairy tales in England were best sellers. These are richly written fantasies that also have a real world message. Readers in the 1920s would not have objected to reading a fantasy story that bordered on being a fairy tale.
Dunsany wrote his books with green ink using a quill pen that he would cut by hand. His wife typed out the stories. All of his books and stories are first drafts because he is supposed to have never rewritten or revised any of his work.
Dunsany’s language is absolutely wonderful. Here are the first two paragraphs Charwoman’s Shadow:
Picture a summer evening somber and sweet over Spain, the glittering sheen of leaves fading to soberer colors, the sky in the west all soft, and mysterious as low music, and in the east like a frown. Picture the Golden Age past its wonderful zenith, and westering now towards its setting.
In such a time of day and time of year, and in such a time of history, a young man was traveling on foot on a Spanish road, from a village well-nigh unknown, towards the gloom and grandeur of mountains. And as he traveled a wind rising up with the fall of day flapped his cloak hugely about him.
I missed getting off of my bus once, because I was involved in the unique plot. Dunsany is an extremely resourceful writer. A few times he seems to get a little lost pulling together his plot points, and here and there a paragraph will go on for a page or two while he explains some minor intricacy, but these go by quick. The denouement wanders a bit as it brings all of the threads together, but this is made up for with the wonderful ending, which describes the end of a golden age of magic.
I don’t think anyone reads Lord Dunsany anymore. This is a great loss.
Posted in High Fantasy, Spec-Fic | No Comments »
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Thursday, November 13th, 2008
 Another Side of the Galaxy (1966), edited by Groff Conklin is the second Conklin anthology that I’ve read in this series. The previous Conklin Anthology dealt primarily with golden age writers. I need to refine that a little in that following the incredible decade of the 1940s where John W. Campbell, Jr.’ s Astounding Science Fiction magazine created modern SF (the golden age), there followed the 1950s where Campbell, although still a powerful force, slowly lost his leading position. Readers began to tire of Campbell’s gadget based technology stories and new pulps like The Magazine of Fantasy & Science Fiction, Galaxy and Worlds of If sprang up and presented alternative forms of SF. Campbell’s abrasive style and absolute certainty of his opinions caused him to lose, one by one, most of his stable of writers. These were the same writers that he had discovered and guided into modern Science Fiction. By 1960, Astounding was still telling technological engineering based gadget stories while the other magazines were exploring characters, social issues and literary forms.
Groff Conklin’s Possible Worlds of Science Fiction presented stories from the 1940s and were mostly Campbell type stories. Another Side of the Galaxy contrasts these with the new writers of the 1950s who wrote about non-technical people with deep emotions, living in interesting societies and coping with problems that could not be solved with a slide rule.
Another Side of the Galaxy starts with a The Red Hills of Summer by one of my favorite writers, Edgar Pangborn. Pangborn produced two of my top 10 SF books, The Judgment of Eve and Davy, but was not as prolific as other writers. It is interesting that the protagonist in The Red Hills of Summer is named Davy. The story, set in a post apocalyptic future, involves humans fleeing a dying Earth, searching for planet where humanity can settle and grow and perhaps, correct the mistakes made on Earth. Four explorers are chosen to land on the planet to see if they can survive with the knowledge that they will never be allowed to return to space. The settlers cannot risk the future of the human race on a hidden disease that might enter the main ship and destroy them all.
The Red Hills of Summer is a love story between a couple who must face the unknown together, but are not quite committed to their love. Although there is little else to the plot other than coping with each of the problems as they arise, we become involved with the lives of the lovers and the story is how they finally come to grips with their own relationship. It is well done and first appeared in F&SF magazine, being the kind of transcendent writing and concepts that they looked for in a story. It was wonderful to find a new (to me at least) Pangborn story.
Paul Ash is in reality Pauline Ashwell, a Hugo nominated Science Fiction writer. Her story Big Sword was published in Astounding. I would guess that Campbell talked her into changing the gender of her pen name to appeal to his overwhelmingly male readership. The story is an odd choice for Campbell because it involves a child with emotional problems and the science is an ecological puzzle on a distant planet. Campbell was nuts about ESP, which figures in this story, and this might explain why he bought it. The conflict involves a child with ESP whose parents are divorced. He is taken by his unemotional and distant father, a spaceship captain, to a strange planet. In an alternate story line, the protagonist is an alien named Big Sword, who needs to communicate with the humans to solve his own serious ecological problem. The resolution is ingenious and satisfying.
The First Lady by J.T. McIntosh was published in Galaxy. It would not have fit in Astounding because the central conflict involves sociology rather than technology. The premise is that a pair of special government agents has to escort a young woman to a planet where she would be the first female on the planet. This would have been a reasonable plot line 1953, although ludicrous by today’s standards. McIntosh envisions a system where planets are settled by men only and then later a woman shows up to be the "First lady". She carries the first child and if it is healthy, the colony is allowed to continue. What makes this a good story, in spite of the silly premise, is the relationships between the male and female agent and the future first lady as they travel in the cramped rooms of the spaceship on the way to the new colony. It becomes a love triangle, which is intensified by the fact that it cannot continue once the planet is reached. The tension involves whether or not the future child will live and the colony survive, as well as the fact that one of the agents knows what the outcome will probably be.
J.F. Bone, Insidekick, is the story of a man who suddenly finds that he can do almost anything because a strange creature has entered his mind in a symbiotic relationship. The title is a pun on sidekick (in-sidekick, get it?). Jesse F. Bone was a prominent veterinarian and was nominated for a Hugo award. He must have been a friend of Robert A. Heinlein because he is mentioned in the Cat Who Walks Through Walls as the veterinarian fetched from another universe to help save the cat Pixel’s life after the raid to save Mike. He is known for his book of sexual mores and animal rights, The Lani People (Available at Project Gutenberg).
The Live Coward by Poul Anderson is a Planetary League Story, one of a series involving diplomacy in a universe where there are literally millions of worlds settle by Humanity and their alien allies. It is an interesting story where Anderson get’s his character Wing Alak, into difficult situation and then bails him out with ingenuity. I first read this in the pages of a an old Astounding from my uncle’s collection that he kept in his attic. I was convinced that these old magazines were a thing of the distant past and did not exist any more, until I found Analog Magazine at a small soda shop down in the village of Nyack.
Eric Frank Russell’s Still Life is the weakest story in the bunch. It deals with the red tape of a huge and top heavy galactic empire and how a junior clerk goes about finding alternate paths through the miles of regulations in order to get a life saving piece of equipment to a distant colony. I work for the County Government and I am not interested in red tape, regulations or bureaucratic nonsense – I see enough at work.
These stories average around 13,000 words each and are Novelettes rather than short stories. The Edgar Pangborn story would be classified strictly as a Novella. I like these longer form short stories. Magazine editors seem to have liked them in the past, but modern editors, especially in the on-line magazines prefer shorter stories less than 5,000 words. The main pro magazines still regularly publish longer stories in the 7,000 to 15,000 word range. It is a conundrum that modern readers seem to prefer short-short stories over the longer ones, yet most modern novels are padded out from 120,000 to as high as 200,000 words. I have read that some romance publishers have gone back to the shorter snack-size 40k book. I wonder if anyone has test marketed shorter SF novels lately. 40k to 60K is a good length for a novel.
Posted in Science Fiction, Short Stories, Spec-Fic | No Comments »
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